"Professor Longhair", a.k.a. Henry Roeland "Roy" Byrd was born in 1918 in
Bogalusa, Louisiana. He moved with his family to New Orleans, where he began
performing at a young age, tap dancing for tourists in the French Quarter.
Many say this is where he picked up his incredible sense of rhythm.
Byrd is most known for his unique piano playing style, creating entire solos
on a very limited range of notes. Chalk it up to his early days when he was
first learning from his mother on an old broken piano that someone had left
out for the garbage man. "My mother started teaching me what few keys
they had left on it – I guess that’s why I learned the style that I learned.
When I was playing, I had to remember what keys were good and what was bad
and skip them and jump ‘em. Some of the guys said I was cross-chording but,
whatever it was, I was getting to the right keys. With these good pianos,
it’s simple for me to do what I was doing then."
After returning from serving in the Army in 1944, he went through a series
of professions, cooking, boxing, and often hustling cards. The first break
as a musician came in 1949 at a New Orleans club called the Caledonia. He
started playing there every weekend, and gained a large following. The name
Professor Longhair was awarded him by the owner of the club – "Professor"
being a common term used then to describe anyone who was a great piano
player, and "Longhair" because, well, he had long hair. Soon he was in a
studio recording tracks, and his first (and only) hit came in 1950 when
"Bald Head" reached number five on the R&B charts.
A small tour followed, where he frequently found himself in trouble with
promoters and other musicians for being too hard on the pianos. Sax player
Lee Allen was also on that tour: "He used to have a little quirk of
kicking the piano with his right foot. The man [Fats Domino] happened to
have a white baby grand piano onstage, and when he saw Fess do that, he had
a fit. He saw little indentations fixing to go into his piano, so he went
and got a piece of plywood or something to put up there."
In 1954 he saw a bit more success with "Tipitina", which didn’t hit the
charts but did well locally.
At this point some of the details get sketchy. Most accounts say that the he
had a stroke, and then disappeared from the music scene for several years
after either having trouble with the law or the local musicians’ union. What
is known is that he was banned from playing in New Orleans, the place where
he was most famous.
Dr. John was such a Professor Longhair fan that he quit a regular gig just
to play one night with him. The two became friends, and he later ended up
producing the Professor’s New Orleans party classic "Go To The Mardi Gras".
Dr. John remembers the musical direction given at the recording: "Fess
wanted the band to rawmp [sic] and frolic – just to get what he meant by
rawmp and frolic was the whole thing."
Things really didn’t take off, though, until the start of the now famous New
Orleans Jazz Festival. In 1971 he was given a place to play, and he played
there every year to bigger and bigger crowds. By the late 70s, his early and
live albums were starting to get released, and he had just finished
recording a new album for Alligator Records. He was even slated to go on
tour with The Clash. He died in his sleep on January 30, 1980, the day his
best studio album, "
Professor
Longhair
Quick Facts
Birthname: Henry Roeland Byrd
Nicknames: Roy, Fess, Professor Longhair
Born: December 19, 1918
Died: January 30, 1980
Birthplace: Bogalusa, Louisiana
"The
very first instrument I played was the bottom of my feet."
Professor Longhair Quotes:
"The very first instrument I played was the bottom of my feet, workin' out
rhythms, tap dancing. We used to dance up and down Bourbon Street."
Big Chief (liner notes)
"We had long hair in those days and it was almost against the law. Mike
(Tessitore-club owner) said, 'I'm going to keep this band-we'll call you
Professor Longhair and the Four Hairs Combo.'"
Big Chief (liner notes)