Listen to a sample of "Judge Harsh Blues"
Listen to a sample of "Kassie
Jones"
Lewis hoboed around the country until 1917, when he lost a leg in a railroad
accident. He returned to Memphis, playing in association with Jim
Jackson, Gus Cannon (who would form Cannon's
Jug Stompers for recording dates), and Will Shade. Though primarily
a solo performer, Lewis worked with this combination in a variety of clubs
on Beale Street
including the famous Pee Wee's (now the site of a Hard Rock Café)
into the 1920s. The loss of a leg did not prevent him from touring during
the early 1920s with the Dr. Willie Lewis Medicine Show, where he made
the acquaintance of a young Memphis Minnie.
His travels exposed him to a wide variety of performers including Bessie
Smith, Blind Lemon Jefferson, and Texas Alexander. Like his contemporary
Frank Stokes, he tired of the road and
took a permanent job in 1922. His position as a street sweeper for the
City of Memphis, a job he would hold until his retirement in 1966, allowed
him to remain active in the Memphis music scene.
The onset of the Great Depression in 1929 brought Lewis's recording career
to a halt. He continued to play Beale Street and became a frequent performer
in W.C. Handy Park during
the 1930s and 1940s. During the "Blues Revival" of the 1960s,
Lewis was rediscovered by a younger generation of fans that appreciated
his expressive lyrics, dexterous playing, and charismatic charm. He parlayed
his delayed celebrity into a movie cameo (initially offered to Sleepy
John Estes), a talk show appearance, and large hall shows with the
rock and roll bands that were his musical progeny. Furry Lewis died in Memphis September 14, 1981.
Walter "Furry" Lewis
Born
March 6, 1899, in Greenwood, Mississippi, Lewis acquired the nickname
"Furry" from childhood playmates. At the age of seven he and
his family moved to Memphis,
where young Lewis took up the guitar under the tutelage of a man whose
name he recalled as "Blind Joe." Blind Joe apparently was versed
in nineteenth century song and taught his protégé
"Casey Jones" and "John Henry," songs based around
the exploits of heroic figures. Lewis would later record these two songs
for the Victor and Vocalion labels respectively. By 1908, he was playing
solo for parties, in taverns, and on the street. He also was invited to
play several dates with W.C. Handy's Orchestra.
In
1927, Lewis cut his first records in Chicago for the Vocalion label. A
year later he recorded for the Victor label at the Memphis Auditorium
in a session that saw sides waxed by the Memphis
Jug Band, Jim Jackson, Frank Stokes, and others. He again recorded
for Vocalion in Memphis in 1929. The recordings from these dates exhibit
a nimble, clean, and versatile picking style that provides an excellent
counterpoint to his complex verses. Several of his recordings (notably
"Judge Harsh Blues" and "Cannonball Blues") display
Lewis's bottleneck slide playing, a style in which he was proficient but
not a master. His vocal range was limited but he compensated by composing
humorous verses that were by turns bawdy, sly, boasting, and pleading.